IF YOU OPEN THE DOOR Blades ’68 · Month 9 · Week 3 · Do You Dare?

Sean noticed because Eljara stopped laughing.

That was usually a bad sign.

Not because she laughed all the time.

She didn’t.

But when Eljara went quiet in the middle of a good evening, there was usually a reason.

The music was still going.

The crowd was still dancing.

Somebody had climbed onto a table they definitely were not supposed to be standing on.

A woman near the stage had taken off one shoe and appeared to be considering whether she still needed the other.

Nothing was wrong.

Sean looked at Eljara.

She was staring toward the far end of the square.

SEAN:
“What?”

ELJARA:
“Nothing.”

SEAN:
“That’s never true.”

ELJARA:
“Sometimes.”

SEAN:
“Not when you say it like that.”

He followed her gaze.

At first he saw only the celebration.

People.

Lights.

Steam from food stalls.

Plasmovision shimmering across wet stone.

Autopods moving beyond the square.

Then he noticed the gap between two old industrial buildings.

Too narrow to be a proper street.

Too dark for the celebration to reach it properly.

Small red lights ran along one wall.

Not festival lights.

Older.

Dimmer.

Sean frowned.

SEAN:
“What’s down there?”

ELJARA:
“I don’t know.”

SEAN:
“You’re staring at it.”

ELJARA:
“So are you.”

SEAN:
“Because you are.”

ELJARA:
“Very brave.”

SEAN:
“I’ve survived by outsourcing poor decisions.”

That got a smile.

Good.

Then Eljara tilted her head.

Listening.

SEAN:
“There.”

ELJARA:
“What?”

SEAN:
“You did it.”

ELJARA:
“Did what?”

SEAN:
“Listened.”

She looked at him.

Then Sean heard it too.

Not a voice.

Not exactly.

A rhythm.

Faint.

Separate from the music.

Three beats.

Pause.

Two.

Then nothing.

Sean straightened.

ELJARA:
“You heard that.”

SEAN:
“Heard what?”

She stared.

SEAN:
“Fine.”

He listened again.

Nothing.

SEAN:
“Probably mechanical.”

ELJARA:
“Probably.”

SEAN:
“A pipe.”

ELJARA:
“Possible.”

SEAN:
“Old machinery.”

ELJARA:
“Possible.”

SEAN:
“Someone hitting something.”

ELJARA:
“Likely.”

SEAN:
“Good.”

Eljara looked at him.

ELJARA:
“You’re relieved.”

SEAN:
“I like explanations.”

ELJARA:
“No. You like exits.”

Sean looked offended.

SEAN:
“I like both.”

The rhythm came again.

Three.

Pause.

Two.

Sean stared into the passage.

The sensible thing was obvious.

Ignore it.

Stay with the lights.

Stay with the music.

Stay with the crowd.

Civilisation existed largely because somebody, somewhere, had learned not to investigate every strange sound in the dark.

Sean took a drink.

SEAN:
“Don’t.”

ELJARA:
“I haven’t said anything.”

SEAN:
“You’re doing the face.”

ELJARA:
“What face?”

SEAN:
“The one where you’ve already decided I’m going.”

ELJARA:
“I haven’t.”

SEAN:
“Good.”

ELJARA:
“I’ve decided I’m going.”

Sean closed his eyes.

SEAN:
“Of course you have.”

ELJARA:
“You don’t have to come.”

He opened them again.

SEAN:
“That is manipulative.”

ELJARA:
“How?”

SEAN:
“Because now I definitely have to.”

ELJARA:
“No, you don’t.”

SEAN:
“Exactly.”

She smiled.

Then turned toward the passage.

Sean followed.

Of course he did.

The celebration changed behind them.

Not stopped.

Changed.

Every few steps, the music became less like music and more like vibration through walls.

The crowd became shapes.

Then voices.

Then distant noise.

Old brick surrounded them.

Pipes.

Rainwater.

Electrical conduit.

Tiny red bulbs glowed along the wall.

Sean stopped beside one.

SEAN:
“Electric.”

ELJARA:
“Disappointed?”

SEAN:
“Delighted.”

The rhythm came again.

Three.

Pause.

Two.

Closer now.

At the end of the passage stood an old metal door.

No sign.

No handle on their side.

Sean stared.

SEAN:
“Well.”

Eljara stepped closer.

Sean caught her wrist.

SEAN:
“Don’t.”

She looked at his hand.

Then at him.

ELJARA:
“You came all this way to tell me not to touch the door?”

SEAN:
“Yes.”

ELJARA:
“Excellent use of an evening.”

SEAN:
“We don’t know what’s behind it.”

ELJARA:
“That’s usually why people open doors.”

SEAN:
“That is absolutely not why sensible people open doors.”

She almost laughed.

SEAN:
“No.”

ELJARA:
“I haven’t moved.”

SEAN:
“You’re thinking.”

ELJARA:
“So are you.”

SEAN:
“I’m thinking we go back.”

ELJARA:
“No.”

Sean frowned.

ELJARA:
“You’re thinking about what happens if we don’t.”

That landed.

The rhythm came again.

Three.

Pause.

Two.

Sean released her wrist.

Not because he wanted to open the door.

Because he wanted to know.

And those were dangerously similar things.

ELJARA:
“There.”

SEAN:
“What?”

ELJARA:
“That’s the moment.”

SEAN:
“What moment?”

ELJARA:
“Before you choose.”

Sean looked at her.

The teasing was gone.

ELJARA:
“The other night, you asked what happens after the ordinary world starts feeling like more.”

SEAN:
“Yes.”

ELJARA:
“This.”

SEAN:
“We find a door?”

ELJARA:
“No.”

She looked at the metal.

ELJARA:
“You decide whether you let the feeling get closer.”

Sean frowned.

SEAN:
“That sounds like a terrible idea.”

ELJARA:
“It can be.”

SEAN:
“Good.”

ELJARA:
“It can also be the only way you ever learn anything.”

SEAN:
“Less good.”

She stepped away from the door.

That surprised him.

SEAN:
“You’re not opening it?”

ELJARA:
“No.”

SEAN:
“Who are you?”

ELJARA:
“I didn’t say the interesting part was opening it.”

SEAN:
“Then what is?”

ELJARA:
“Wanting to.”

Sean went quiet.

The sound stopped.

That made it worse.

They waited.

Not moving forward.

Not going back.

Listening.

Sean began hearing things he had ignored before.

Water in a drain.

Electrical hum.

Metal shifting inside the walls.

Footsteps somewhere above.

The distant crowd.

His own breathing.

Every sound became a possibility.

Pipe.

Wire.

Building.

Rat.

Nothing.

Nothing.

Nothing.

Then—

three beats.

Pause.

Two.

Sean’s skin tightened.

ELJARA:
“There.”

SEAN:
“Don’t.”

ELJARA:
“You felt it.”

SEAN:
“Yes.”

ELJARA:
“Fear?”

SEAN:
“No.”

She waited.

SEAN:
“Not exactly.”

Because there was another answer.

Excitement.

The thrill of standing at the edge of an explanation.

SEAN:
“I want to know.”

Eljara nodded.

ELJARA:
“That’s the dangerous part.”

SEAN:
“Curiosity?”

ELJARA:
“Opening.”

Sean looked at her.

ELJARA:
“People think opening yourself means becoming passive.”

SEAN:
“Doesn’t it?”

ELJARA:
“No.”

She stepped closer.

ELJARA:
“It means allowing something to affect you before you’ve decided what it is.”

Sean grimaced.

SEAN:
“That sounds worse.”

ELJARA:
“Sometimes.”

SEAN:
“And sometimes?”

Eljara looked toward the door.

ELJARA:
“Sometimes it changes your life.”

SEAN:
“Comforting.”

ELJARA:
“I didn’t say for the better.”

He laughed once.

Then she continued.

ELJARA:
“You’ve done it before.”

SEAN:
“When?”

ELJARA:
“Every time you fell in love.”

Sean’s expression changed.

SEAN:
“That’s different.”

ELJARA:
“Why?”

SEAN:
“Because that’s a person.”

ELJARA:
“A person you allowed to matter before you understood what they would do to you.”

SEAN:
“That is an unfair comparison.”

ELJARA:
“Why?”

SEAN:
“Because now I can’t argue without sounding emotionally damaged.”

ELJARA:
“That wasn’t my intention.”

SEAN:
“Liar.”

She smiled.

ELJARA:
“Grief works too.”

Sean said nothing.

ELJARA:
“You can keep it outside.”

SEAN:
“Badly.”

ELJARA:
“Yes.”

ELJARA:
“You can numb it.”

SEAN:
“Temporarily.”

ELJARA:
“Yes.”

ELJARA:
“Or you can let it in.”

Sean looked at her.

ELJARA:
“And once you do, it changes everything else you can see.”

He breathed out.

SEAN:
“So now ghosts are grief.”

ELJARA:
“No.”

SEAN:
“Good.”

ELJARA:
“But opening may work in similar ways.”

SEAN:
“You’re going to have to explain that.”

ELJARA:
“No.”

SEAN:
“Eljara.”

She relented.

ELJARA:
“You make yourself permeable.”

Sean stared.

SEAN:
“Permeable.”

ELJARA:
“Yes.”

SEAN:
“I hate that word.”

ELJARA:
“I know.”

SEAN:
“Sounds like leaking.”

ELJARA:
“Sometimes it is.”

She leaned against the wall.

ELJARA:
“Most of the time we spend enormous effort deciding what gets through.”

“People.”

“Memories.”

“Emotions.”

“Ideas.”

“Fear.”

“Possibility.”

SEAN:
“Filters.”

ELJARA:
“Yes.”

SEAN:
“Stacy will make diagrams.”

ELJARA:
“Definitely.”

SEAN:
“Christ.”

Eljara continued.

ELJARA:
“Every so often people lower them.”

SEAN:
“Alcohol.”

ELJARA:
“Yes.”

SEAN:
“Music.”

ELJARA:
“Yes.”

SEAN:
“Sex.”

ELJARA:
“Yes.”

SEAN:
“Grief.”

ELJARA:
“Yes.”

SEAN:
“Exhaustion.”

ELJARA:
“Yes.”

SEAN:
“Love.”

ELJARA:
“Yes.”

SEAN:
“Fear.”

ELJARA:
“Yes.”

SEAN:
“Prayer.”

Eljara nodded.

SEAN:
“Dance.”

ELJARA:
“Especially when you finally stop trying to look good.”

SEAN:
“Cruel.”

ELJARA:
“Accurate.”

Sean looked at the door.

SEAN:
“So people do all of that because they want to become permeable?”

ELJARA:
“Sometimes.”

SEAN:
“To each other?”

ELJARA:
“Yes.”

SEAN:
“To themselves?”

ELJARA:
“Yes.”

He looked at the metal door.

SEAN:
“To whatever else there might be?”

Eljara waited.

ELJARA:
“Maybe.”

The door clicked.

Both froze.

Not opened.

Just a small metallic sound.

Sean stood straighter.

ELJARA:
“Temperature.”

SEAN:
“Possibly.”

ELJARA:
“Old lock.”

SEAN:
“Possibly.”

ELJARA:
“Building settling.”

SEAN:
“Possibly.”

Neither moved.

Sean laughed quietly.

ELJARA:
“What?”

SEAN:
“We’re defending ourselves.”

She looked at him.

SEAN:
“Everything we just said is sensible.”

ELJARA:
“Yes.”

SEAN:
“And we’re using it like armour.”

Eljara looked at the door.

ELJARA:
“Maybe.”

SEAN:
“So what happens if we stop?”

Now she looked at him.

There it was.

The real question.

Not:

Do we open the door?

Not:

Do we believe?

Just:

What happens if, for one minute, we stop defending ourselves from the possibility?

ELJARA:
“All right.”

SEAN:
“All right what?”

ELJARA:
“We stop.”

SEAN:
“No explanations?”

ELJARA:
“One minute.”

SEAN:
“That’s reckless.”

ELJARA:
“It’s sixty seconds.”

SEAN:
“A lot can happen in sixty seconds.”

ELJARA:
“Especially around you.”

He sighed.

SEAN:
“Fine.”

They stood there.

No theories.

No naming.

No explanation.

Sean heard the city.

Water.

Electricity.

Music behind them.

His heartbeat.

Eljara breathing.

The door.

Nothing else.

His mind immediately started working.

Pipe.

Rat.

Wind.

Machine.

Expectation.

Stop.

He tried again.

Just sound.

Just sensation.

Just the moment.

Then he noticed something cold beneath his hand.

Sean opened his eyes.

His palm was resting against the door.

He had no memory of deciding to put it there.

Eljara was looking at him.

SEAN:
“I didn’t mean to do that.”

ELJARA:
“I know.”

He should have pulled away.

He didn’t.

The door was cold.

Nothing more.

Then—

three beats.

Pause.

Two.

Sean felt them through the metal.

His hand snapped away.

SEAN:
“Fuck.”

Eljara straightened.

ELJARA:
“What?”

SEAN:
“I felt it.”

ELJARA:
“The rhythm?”

SEAN:
“Yes.”

ELJARA:
“Through the door?”

SEAN:
“Yes.”

She took half a step forward.

SEAN:
“Don’t touch it.”

She stopped.

Neither spoke.

There were explanations.

Vibration through the building.

Machinery.

Someone behind the door.

Pipes.

Dozens.

Still—

Sean had had enough.

ELJARA:
“Do you want to go back?”

He looked at the door.

Then at her.

SEAN:
“Yes.”

No mockery.

No disappointment.

ELJARA:
“Good.”

They turned towards the light.

After several steps Sean stopped.

SEAN:
“That’s it, isn’t it?”

ELJARA:
“What?”

SEAN:
“Do you dare.”

She waited.

SEAN:
“It isn’t about being brave enough to keep going.”

ELJARA:
“No.”

SEAN:
“It’s being brave enough to open yourself.”

ELJARA:
“Sometimes.”

SEAN:
“And brave enough to close again.”

Eljara smiled.

ELJARA:
“Especially.”

They walked back into the celebration.

Music hit them.

Light.

Laughter.

People.

Life.

A stranger pushed a drink into Sean’s hand.

Sean took it.

ELJARA:
“You don’t know what that is.”

SEAN:
“I’m closing responsibly.”

She laughed.

For a while they simply stood among the crowd.

Then Sean looked back towards the passage.

SEAN:
“I still want to know.”

ELJARA:
“I know.”

SEAN:
“And I’m glad we left.”

ELJARA:
“I know.”

SEAN:
“You’re very irritating.”

ELJARA:
“I know.”

Sean laughed.

Maybe that was the real threshold.

Not believing everything.

Not denying everything.

Not throwing yourself blindly into the unknown.

And not locking every door before you have even noticed it exists.

Opening yourself means becoming vulnerable to possibility.

Music can get through.

Love can get through.

Grief can get through.

Fear can get through.

Memory.

Desire.

Faith.

And perhaps other things.

The difficult part is staying open without surrendering judgement.

Curious without becoming credulous.

Sensitive without becoming defenceless.

Willing to approach the threshold—

and still capable of stepping away.

Have you ever deliberately lowered your guard and allowed an experience to affect you before you had decided what it meant?

Did it change you?

Did you discover something real?

Or did you discover how easily your own mind can create meaning?

And most importantly:

Did you know when to step back?

Tell us where you draw the line between opening yourself and losing yourself.

Explore Blades ’68 with Mythveil Chronicles.

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