PULP CTHULHU — MONTH 9: CELEBRATION WEEK 3 NO GUNS AT THE TABLE

Germany, Christmas Eve, 1944.

Snow.

Dark forest.

Artillery somewhere beyond the trees.

Inside a small cottage, Elisabeth and her twelve-year-old son Fritz are preparing Christmas dinner.

Then someone knocks.

Three American soldiers stand outside.

One is wounded.

MARA

They’re Americans.

CHIBI

Yes.

MARA

This is Germany.

CHIBI

Also yes.

The wounded man nearly collapses.

Elisabeth steps aside.

MARA

She’s letting them in.

CHIBI

He’s hurt.

MARA

They’re enemy soldiers.

CHIBI

He’s still hurt.

The Americans enter.

Harry is laid on a bed.

Jim and Robin stay beside him.

The rooster Elisabeth had saved for Christmas goes into the pot.

Then—

another knock.

Four German soldiers stand outside.

They ask for shelter.

Elisabeth tells them they may enter.

But there are already guests.

GERMAN CORPORAL

Amerikaner?

Hands move towards weapons.

Inside, the Americans hear the word.

They reach for theirs.

Elisabeth stands between them.

One woman.

Seven soldiers.

Christmas Eve.

ELISABETH

No guns at my table.

Silence.

The Germans leave their weapons outside.

Then the Americans do the same.

German rifles.

American rifles.

Against the same wall.

CHIBI

That looks strange.

MARA

What?

CHIBI

They’re all the same when nobody’s holding them.

Inside, nobody knows where to sit.

The war has spent years teaching them exactly where they belong.

This side.

That side.

Our line.

Their line.

Now there is only a table.

Bread appears.

Potatoes.

Wine.

Christmas dinner.

MARA

They’re really going to eat together.

CHIBI

Yes.

MARA

They’re enemies.

CHIBI

Yes.

MARA

And they’re eating together.

CHIBI

You said that already.

MARA

It doesn’t make sense.

Chibi looks at the food.

CHIBI

They’re hungry.

One of the German soldiers knows some medicine.

He examines wounded Harry.

MARA

Why is he helping him?

CHIBI

Because he’s hurt.

MARA

He’s American.

CHIBI

Yes.

MARA

And he’s German.

CHIBI

Yes.

MARA

They’re supposed to be fighting.

CHIBI

Not at the table.

Then Elisabeth says grace.

German words.

American soldiers listening.

German soldiers listening.

Men far from home.

Later come photographs.

Mothers.

Sweethearts.

Houses.

Families.

MARA

Arthur had Ernst.

CHIBI

Yes.

MARA

Sean had Miguel.

CHIBI

And the goat.

MARA

Yes. And the goat.

She looks around the table.

MARA

It keeps happening.

CHIBI

What?

MARA

They stop being the enemy.

CHIBI

No.

MARA

Look at them.

CHIBI

They’re still enemies.

MARA

Then what changed?

Chibi points around the table.

CHIBI

Now they’re also hungry.

And tired.

And Harry’s hurt.

And Heinz is terrible at English.

People can be two things.

Morning comes.

The weapons are collected.

American.

German.

The soldiers leave in opposite directions.

MARA

So that’s it?

CHIBI

Probably.

MARA

They eat Christmas dinner together and now they’re enemies again?

CHIBI

Probably.

MARA

Then what was the point?

Chibi looks back at the empty plates.

CHIBI

They weren’t enemies during dinner.

MARA

That doesn’t stop the war.

CHIBI

No.

MARA

It isn’t enough.

CHIBI

No.

MARA

You agree?

CHIBI

Of course.

But not enough isn’t the same as nothing.

They walk away through the snow.

MARA

Do you think they became friends?

CHIBI

No.

MARA

Did they stop being enemies?

CHIBI

For dinner.

MARA

That’s not very long.

CHIBI

Dinner doesn’t have to last forever to be dinner.

He looks back at the cottage.

CHIBI

Maybe that’s what celebrations do.

MARA

What?

CHIBI

Make a place where the rules outside don’t get to decide everything inside.

1914.

A song crossed the trenches.

1938.

A bottle crossed a Spanish front.

1944.

German and American rifles were left outside a Christmas table.

None of it ended a war.

But each time, the enemy became inconveniently human.

A name.

A family.

A wound.

A joke.

Someone hungry.

Sometimes the first crack in an enemy image is not peace.

Sometimes it is simply:

Do you want some?

QUESTION FOR YOU

If everything outside the door tells you that the person across the table is your enemy — but you know his name, share his food and watch him help someone who’s hurt — what do you see when you look at him?

PLAY EPIC. FEEL THE STORY.

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